This book provides the first comprehensive musicologically-informed
account of Icelandic singer-songwriter Björk. Björk is internationally
recognized for her unique and innovative musical style, as well as her
collaborative working relationship with artists, musicians and sound
engineers. Her work crosses the boundaries between club and dance
culture and 'high art'. Björk has won numerous awards, including Best
Actress at the Cannes Film Festival for her role in the film Dancer in
the Dark, for which she also wrote the music. Nicola Dibben presents an
analysis of audio and video tracks, live performances and recorded
sound, viewed through the critical reception, interviews and fanzines
that surround Björk's music. This analysis reveals recurrent cultural
themes brought into focus by her music: landscape and identity, the
relationship between humans and technology, song as a vehicle for
emotional expression, and female autonomy. Reference is made to the
whole of Björk's career, but the focus is on her solo career from Debut
onwards. Additional chapters on Björk's compositional process - with
newly gathered interview material - and on the critical-musicological
approach adopted in the book round out this original study.