Reverence for J. S. Bach's music and its towering presence in our
cultural memory have long affected how people hear his works. In his own
time, however, Bach stood as just another figure among a number of
composers, many of them more popular with the music-loving public.
Eschewing the great composer style of music history, Andrew Talle takes
us on a journey that looks at how ordinary people made music in Bach's
Germany. Talle focuses in particular on the culture of keyboard playing
as lived in public and private. As he ranges through a wealth of
documents, instruments, diaries, account ledgers, and works of art,
Talle brings a fascinating cast of characters to life. These
individuals--amateur and professional performers, patrons, instrument
builders, and listeners--inhabited a lost world, and Talle's deft
expertise teases out the diverse roles music played in their lives and
in their relationships with one another. At the same time, his nuanced
recreation of keyboard playing's social milieu illuminates the era's
reception of Bach's immortal works.