From the vantage point of later middle life, Ian McDonald's collection
looks into the heart of time passing: the coming death of ageing
parents, the old men, the 'archive' of a disappearing Guyana who die one
by one, the sight of 'my own lines of age' and the loss of pleasure in
the glittering carnival of the senses.
There are rich blessings of the arrival of a new child coming unexpected
at this stage of life; and the consolations from books and in the power
of art to preserve - at least for a time. But the very joys are made
more piquant by the inescapable sense of the transitoriness of all
things.
Poems of moving domestic intimacy and humour ('To alarm their father's
half to death / New-born babies hold their breath'), valedictory
requiems for the characters who have given Georgetown life its flavour
and regret for the country's loss of civility during its darkest recent
years and songs in praise of nature are all part of a vision which looks
into the darkness but says, 'Yes, it is as you say, / But let us get
just one thing straight: / There is beauty in the world / ... And the
star-tree blossoms in the night, / Night that will have an end' and
asserts, 'Between silence and silence, there should be only praise.'
Ian McDonald is Trinidadian by birth and Guyanese by long residence
and adoption. He is the author of the recently filmed The Hummingbird
Tree, four collections of poetry and a play. He edits Kyk-over-Al.
