As his work is both simultaneously grounded in his country in northern
Australia, and internationally, the resulting dual perspective raises
basic questions about how art should be viewed and approached in
intercultural terms. From their different perspectives, renowned
Australian contributors, Jon Altman, Sally Butler, Apolline Kohen,
Howard Morphy, Judith Ryan, Luke Taylor and Paul S.C. Tacon, join a
range of well-known European contributors including Anne-Marie Bonnet,
Marianne Eigenheer, Till Forster, Jean-Hubert Martin, Bernhard Luthi,
John Onians and Kitty Zijlmans to raise and debate key questions. For
example, what is the main reference point when dealing with the work of
John Mawurndjul. Is it the art gallery where the work is displayed, or
its place of origin in Arnhem Land? And what are the ramifications of
the choice of a specific reference point on the interpretation and
understanding of his art works?