The familiar classical France of splendor, formalism, and conquest had a
hidden double, one ruled by the cultural imperative to be interior, to
look inside oneself and to write about what one found. Being Interior
explores how seventeenth-century readers and writers busied themselves
with the pressing task of inventing a text commensurate with these newly
opened subjective depths. Their practices laid the groundwork not only
for the future success of autobiography as a genre but also for our
entire modern culture of interiority.
In tracing the emergence of autobiography as a privileged mediation
between interior and exterior worlds, Nicholas D. Paige turns his
attention where few have looked: to the wealth of material contained in
religious writing of the period, much of it by women. Combining the
evidence furnished by the material transmission of these works with a
theoretical understanding of the contradictions built into subjectivity,
Paige explains why categories like autobiography and experience, despite
their problematic nature, have become unavoidable components of the
modern world. Being Interior speaks not only to specialists of
autobiography and classical France but also to readers interested in the
constructions of gender and authorship, the history of private life and
reading practices, and the past and future of interiorized subjectivity.