In the poetry collection Behemoth, Bruce Bond explores the
metaphysical imagination, both in its secular and sacred forms, as
something universal, endemic to consciousness, embedded in our longing
to capture a lost past and stave off anxieties about the great
forgetting to come. As such the book figures as both a critique and
empathetic analysis of idolatry, broadly understood and equally
universal, problematic as a failed strategy intent upon possession, at
odds with values embedded in its symbols. Figures critical to our
identity--including those associated with race, nation, and
religion--become most prone to unmindful projection, fears and
vulnerabilities and our subsequent potential for cruelty and exclusion.
Central to the book's inquiry is the legacy of the holocaust as
something that persists, recognized or not--a critical element of
cultural memory that both eludes our language and summons our need to
speak.