Ludwig van Beethoven's chamber works are some of his most revered
compositions. Victor Lederer guides the serious nonprofessional listener
through this oeuvre in his new book Beethoven's Chamber Music: A
Listener's Guide. Lederer shows how Beethoven's sonatas for violin and
piano overflow with high energy and spirits, showing a creative force
that transcended personal struggles. The Kreutzer sonata, Op. 47,
displays all the power of the master's middle period, while the G Major
sonata, Op. 96, foreshadows Beethoven's mellower late works. The author
also considers the sonatas for cello and piano, which span Beethoven's
early, middle, and late periods, and examines the piano trios, including
the immense Archduke trio. A highlight of the book is an exploration of
the sixteen string quartets, which represent the pinnacle of Beethoven's
achievement in chamber music. Lederer explains how the middle-period
quartets, starting with the epic Razumovsky set, shatter molds and
create new procedures, often on a stunning scale, and why the five late
quartets and the Great Fugue are considered the peaks of the quartet
literature and of Beethoven's own output. Lederer helps both new and
experienced listeners grasp the strangeness and grandeur of these
astonishing creations. The book comes with a compact disc containing
musical selections drawn from critically acclaimed performances on Naxos
Records.