Beckett's Intuitive Spectator: Me to Play investigates how audience
discomfort, instead of a side effect of a Beckett pedagogy, is a key
spectatorial experience which arises from an everyman intuition of loss.
With reference to selected works by Henri Bergson, Immanuel Kant and
Gilles Deleuze, this book charts the processes of how an audience
member's habitual way of understanding could be frustrated by Beckett's
film, radio, stage and television plays. Michelle Chiang explores the
ways in which Beckett exploited these mediums to reconstitute an
audience response derived from intuition.