As Catherine Pickstock so forcefully demonstrates in her brilliant
introduction to this new publication of Beauty Looks After Herself, for
600 or more years, the Real has been progressively stripped of
transcendental content, so that today an "unbearable lightness of being"
presents us with the terrible spectacle of numberless possibilities
evacuated of all substantive content. A middlebrow landscape of normal
nihilism surrounds us at every turn.
Eric Gill saw through our dilemma long ago. Here, in essays on
industrialism, architecture, stone-carving, lettering, clothes,
philosophies of art, and much else, Gill emerges as the unabashed
proponent of "every man an artist" - "every man as the crafter of the
liturgy of the ordinary," as Pickstock so aptly puts it. In these essays
is issued a call for the recovery of the Real in all its glory,
especially the transcendental of Beauty, in which Truth and Goodness
coinhere - a call to return to the Real once again its rightful and
actual plenitude.