Béla Bartók, who died in New York fifty years ago this September, is one
of the most frequently performed twentieth-century composers. He is also
the subject of a rapidly growing critical and analytical literature.
Bartók was born in Hungary and made his home there for all but his last
five years, when he resided in the United States. As a result, many
aspects of his life and work have been accessible only to readers of
Hungarian. The main goal of this volume is to provide English-speaking
audiences with new insights into the life and reception of this
musician, especially in Hungary.
Part I begins with an essay by Leon Botstein that places Bartók in a
large historical and cultural context. László Somfai reports on the
catalog of Bartók's works that is currently in progress. Peter Laki
shows the extremes of the composer's reception in Hungary, while Tibor
Tallián surveys the often mixed reviews from the American years. The
essays of Carl Leafstedt and Vera Lampert deal with his librettists Béla
Balázs and Melchior Lengyel respectively. David Schneider addresses the
artistic relationship between Bartók and Stravinsky.
Most of the letters and interviews in Part II concern Bartók's travels
and emigration as they reflected on his personal life and artistic
evolution. Part III presents early critical assessments of Bartók's work
as well as literary and poetic responses to his music and personality.