Includes the plays I Saw Myself, The Dying of Today, Found in the
Ground and The Road, the House, the Road
Howard Barker is one of the most significant and controversial
dramatists of his time. His plays challenge, unsettle and expose.
In I Saw Myself a woman's longing to understand her compulsion to
transgress the laws of her society comes into collision with the
conventions of an art form. In the weaving of a tapestry Barker's13th
century heroine privileges private life over public responsibility. If
she is cruelly punished she is also granted self-awareness.
A critical moment in social decay is also at the centre of The Dying
of Today, in which a stranger who luxuriates in the telling of bad
news observes the effects of his devastating narrative on a humble
barber. The barber's recovery from pain, and the beauty of his
sensibility, bring the two strangers into an emotional proximity.
Barker's most experimental work in form and content is probably Found
in the Ground, a mobile, musical work set during the last days of an
aged Nuremberg judge whose baying hounds and burning library form an
uncanny background to his wayward daughter's struggle to make meaning
from the atrocities of the 20th century.
The contradictions of the humanist personality are explored in The
Road, the House, the Road. Erasmus' obscure colleague Aventinus was
found dead on a wintry road. How he arrived at his solitary death forms
the subject of this speculation on scholarship, mischief and the
murderer's vocation.