While the refrain is a frequent and important feature of folk singing,
little has been written on it and what it can achieve. Balkan Refrain:
Form and Tradition in European Folk Song attempts to establish what
refrain actually is and how it can be defined in folk and scholarly
practice based on musical examples from Serbia, Montenegro, and the
Republic of Srpska, with the aim of finding general rules applicable to
refrains in the songs of other nations. The refrain is observed from
musical and linguistic perspectives, as well as its religious, social,
and economical uses. As refrain is so important in songs, special
attention is devoted to its role in the development of singing.
Dimitrije O. Golemovic examines various forms of refrains and their
constructive role in singing, and he establishes a terminology based on
several characteristics of refrains, such as their role in the song and
its place within the melopoetic unit. Golemovic also takes the view that
refrain can be a specific "code" in the song that marks its melody, and
he supports this with a number of examples, both ancient and more
recent. Also discussed is the relationship between refrain and movement
in songs accompanying dance and the role of refrain in commercializing
newly-composed folk music. The book includes notes, a bibliography, 190
musical examples, and an audio CD of traditional folk songs as well as
some examples of newly composed folk songs.