Babel, Alan Burns's fourth critically acclaimed novel, contains all the
hallmarks of the aleatoric style he helped to define - shot through with
seemingly random newspaper headlines, poems, snatches of conversation
and anecdote, which both heighten and undermine meaning, and
characterized by extreme contrasts of mood and style and startling
surrealist juxtapositions of images and ideas.
By turns comic and tragic, tender and brutal, religious and blasphemous,
the narrative rockets from London to the United States to Vietnam to
interstellar space, familiar events are constantly fragmented and reset
into new patterns, and ultimately Babel becomes a cautionary tale about
the tragedy arising from attempting to build Utopia.