Following the Second World War, low-budget B-movies that explored and
exploited Gothic narratives and aesthetics became a significant
cinematic expression of social and cultural anxieties. Influencing new
trends in European, Asian and African filmmaking, these films carried on
the tradition established by the Gothic novel, and yet they remain part
of a largely neglected subject. B-Movie Gothic: International
Perspectives examines the influence of Gothic B-movies on the cinematic
traditions of the United States, Britain, Scandinavia, Spain, Turkey,
Japan, Hong Kong and India, highlighting their transgressive,
transnational and provocative nature. It shows how B-movie Gothic is a
relentlessly creative form, filled with political tensions and moving
from shocking conservatism to profound social critique.