In Awangarda, Lisa Cooper Vest explores how the Polish postwar musical
avant-garde framed itself in contrast to its Western European
counterparts. Rather than a rejection of the past, the Polish
avant-garde movement emerged as a manifestation of national cultural
traditions stretching back into the interwar years and even earlier into
the nineteenth century. Polish composers, scholars, and political
leaders wielded the promise of national progress to broker consensus
across generational and ideological divides. Together, they established
an avant-garde musical tradition that pushed against the limitations of
strict chronological time and instrumentalized discourses of
backwardness and forwardness to articulate a Polish road to modernity.
This is a history that resists Cold War periodization, opening up new
ways of thinking about nations and nationalism in the second half of the
twentieth century.