In medieval and early modern times, female visionary writers used the
mode of prophecy to voice their concerns and ideas, against the backdrop
of cultural restrictions and negative stereotypes. In this book, Deborah
Frick analyses medieval visionary writings by Julian of Norwich and
Margery Kempe in comparison to seventeenth-century visionary writings by
authors such as Anna Trapnel, Mary Cary, Anne Wentworth and Katherine
Chidley, in order to investigate how these women authorized themselves
in their writings and what topoi they use to find a voice and place of
their own. This comparison, furthermore, and the strikingly similar
topoi that are used by the female visionaries not only allows to
question and examine topics such as authority, authorship, images of
voice and body; it also breaks down preconceived and artificial
boundaries and definitions.