This book offers the first major discussion of metatheatre in Australian
drama of the late twentieth and early twenty-first centuries. It
highlights metatheatre's capacity to illuminate the wider social,
cultural, and artistic contexts in which plays have been produced.
Drawing from existing scholarly arguments about the value of considering
metatheatre holistically, this book deploys a range of critical
approaches, combining textual and production analysis, archival
research, interviews, and reflections gained from observing rehearsals.
Focusing on four plays and their Australian productions, the book uses
these examples to showcase how metatheatre has been utilised to generate
powerful elements of critique, particularly of Indigenous/non-Indigenous
relations. It highlights metatheatre's vital place in Australian
dramatic and theatrical history and connects this Australian tradition
to wider concepts in the development of contemporary theatre.
This illuminating text will be of interest to students and scholars of
Australian theatre (historic and contemporary) as well as those
researching and studying drama and theatre studies more broadly.