Asian Canadian Writing Beyond Autoethnography explores some of the
latest developments in the literary and cultural practices of Canadians
of Asian heritage. While earlier work by ethnic, multicultural, or
minority writers in Canada was often concerned with immigration, the
moment of arrival, issues of assimilation, and conflicts between
generations, literary and cultural production in the new millennium no
longer focuses solely on the conflict between the Old World and the New
or the clashes between culture of origin and adopted culture. No longer
are minority authors identifying simply with their ethnic or racial
cultural background in opposition to dominant culture.
The essays in this collection explore ways in which Asian Canadian
authors (such as Larissa Lai, Shani Mootoo, Fred Wah, Hiromi Goto,
Suniti Namjoshi, and Ying Chen) and artists (such as Ken Lum, Paul Wong,
and Laiwan) have gone beyond what Françoise Lionnet calls
autoethnography, or ethnographic autobiography. They demonstrate the
ways representations of race and ethnicity, particularly in works by
Asian Canadians in the last decade, have changed have become more
playful, untraditional, aesthetically and ideologically transgressive,
and exciting.