From Gil Adamson, author of The Outlander and Ridgerunner, nominated for
the Giller Prize Neogothicism, the surrealist snapshot, feminist Western
and postmodern parable are just some of the elements that feed Gil
Adamson's second collection of poems. Adamson creates a world fully
awash in violence and history, the absurdities of the frontier, the
gorgeous terrors of death. Everything is simple, and yet nothing is as
it seems. Moving easily from prose poem to lyric, verbal portrait to
improbable biography, Ashland leads us on a macabre tour of our
nightmares, perverse secrets, and death-focused mythologies: "In the end
we see ourselves. We last longer. The night opens its mouth, and we step
in." The poems in Ashland lay the groundwork for Adamson's award-winning
and internationally bestselling fiction. We look away from his open
mouth, look instead at the corn, the crows floating above the river in
their private worries. Tonight, when we turn in, the candle will sputter
and blow. Pinched out easily, all flame gives way to this wide black
wing. -- excerpt from "Black Wing"