This volume examines the interface between the teachings of art and the
art of teaching, and asserts the centrality of aesthetics for rethinking
education. Many of the essays in this collection claim a direct
connection between critical thinking, democratic dissensus, and
anti-racist pedagogy with aesthetic experiences. They argue that
aesthetics should be reconceptualized less as mere art appreciation or
the cultivation of aesthetic judgment of taste, and more with the
affective disruptions, phenomenological experiences, and the democratic
politics of learning, thinking, and teaching. The first set of essays in
the volume examines the unique pedagogies of the various arts including
literature, poetry, film, and music. The second set addresses questions
concerning the art of pedagogy and the relationship between aesthetic
experience and teaching and learning. Demonstrating the flexibility and
diversity of aesthetic expressions and experiences in education, the
book deals with issues such as the connections between racism and
affect, curatorship and teaching, aesthetic experience and the common,
and studying and poetics. The book explores these topics through a
variety of theoretical and philosophical lenses including contemporary
post-structuralism, psychoanalysis, phenomenology, critical theory, and
pragmatism.