Until recently still a blank spot on the world map of art, China today
plays a major role in the global art market and has captured attention
due to the speculations and the covetousness of its protagonists. But
what is really happening on the spot, beyond the ethnocentric
distortions of the Western viewpoint? What social representations and
uses of art can be identified? A research team from the University of
St. Gallen takes up these questions in an ethnographical field research
project that enables the actors in this simultaneously emerging and
nonetheless already market-dominant field to have their say.