Pedagogical and participatory art from the coauthor of Making and
Being
In Art, Engagement, Economy: the Working Practice of Caroline Woolard,
this acclaimed New York-based artist and educator (born 1984) proposes a
politics of transparent production in the arts, whereby heated
negotiations and mundane budgets are presented alongside documentation
of finished gallery installations. Readers follow the behind-the-scenes
work that is required to produce interdisciplinary art projects, from a
commission at MoMA to a self-organized, international barter network
with over 20,000 participants.
With contextual analysis of the political economy of the arts, from the
financial crisis of 2008 to the Covid pandemic of 2020, this book
suggests that artists can bring studio-based sculptural techniques to an
approach to art-making that emphasizes interdisciplinary collaboration
and dialogue.