In a series of philosophical discussions and artistic case studies, this
volume develops a materialist and immanent approach to modern and
contemporary art. The argument is made for a return to aesthetics - an
aesthetics of affect - and for the theorization of art as an expanded
and complex practice. Staging a series of encounters between specific
Deleuzian concepts - the virtual, the minor, the fold, etc. - and the
work of artists that position their work outside of the gallery or
'outside' of representation - Simon O'Sullivan takes Deleuze's thought
into other milieus, allowing these 'possible worlds' to work back on
philosophy.