Art and Faith in the Venetian World is the first study of the Man of
Sorrows in the art and culture of Venice and her dominions across three
centuries. A subject imbued with deep spiritual and metaphorical
significance, the image pervaded late-Medieval Europe but assumed in the
Venetian world an unusually rich and long life. The book presents a
biography, first tracing the transmission of the image as a vertical,
half-length figure devoid of narrative from the Byzantine East c. 1275
and then exploring its gradual adaptation and diffusion across the
Venetian state to a wide range of media, reaching from small manuscript
illuminations to panel paintings, altarpieces, tombs and liturgical
furnishings. Analyzing its nomenclature, visual form and layered
meanings, the study demonstrates how this universal image played a
prominent role responding to public and private devotions in the
spiritual and cultural life of Venice and its larger political sphere of
influence.