A brilliant and refreshing plea for the enduring relevance of a
modernist ideal
The idea of the autonomy of the art object seems to have disappeared
into the annals of modernism. Today our primary concern is to show how
art and its institutions are socially determined, that art no longer
operates in a separate sphere of its own. Sven Lütticken's ambitious
study seeks to test such assumptions, arguing that the concept of
autonomy retains its conceptual and political purchase. Bringing
together a wide range of thinkers (from Theodor W. Adorno to Aimé
Césaire, Friedrich Schiller to Andrea Fraser, Peter Bürger to Elizabeth
Povinelli) and covering a broad set of themes (from German Idealism to
institutional history and media theory), this critical reader
foregrounds autonomy as something dynamic, offering an essential
introduction to the field while leading the debates in fresh
directions.
Sven Lütticken (born 1971) is the author of Secret Publicity, Idols
of the Market, History in Motion and Cultural Revolution, all
published by Sternberg Press.