Both an adventure-laced captivity tale and an impassioned denunciation
of the marginalization of Indigenous culture in the face of European
colonial expansion, Douglass Smith Huyghue's Argimou (1847) is the
first Canadian novel to describe the fall of eighteenth-century Fort
Beauséjour and the expulsion of the Acadians. Its integration of the
untamed New Brunswick landscape into the narrative, including a dramatic
finale that takes place over the reversing falls in Saint John,
intensifies a sense of the heroic proportions of the novel's
protagonist, Argimou.
Even if read as an escapist romance and captivity tale, Argimou
captures for posterity a sense of the Tantramar mists, boundless
forests, and majestic waters informing the topographical character of
pre-Victorian New Brunswick. Its snapshot of the human suffering
occasioned by the 1755 expulsion of the Acadians, and its appeal to
Victorian readers to pay attention to the increasingly disenfranchised
state of Indigenous peoples, make the novel a valuable contribution to
early Canadian fiction.
Situating the novel in its eighteenth-century historical and
geographical context, the afterword to this new edition foregrounds the
author's skilful adaptation of historical-fiction conventions
popularized by Sir Walter Scott and additionally highlights his social
concern for the fate of Indigenous cultures in nineteenth-century
Maritime Canada.