Anglo-American culture is marked by a gladiatorial impulse: a deep
cultural fascination in watching men fight each other. The gladiator is
an archetypal character embodying this impulse and his brand of violent
and eroticised masculinity has become a cultural shorthand that signals
a transhistorical version of heroic masculinity.
Frequently the gladiator or celebrity fighter - from the amphitheatres
of Rome to the octagon of the Ultimate Fighting Championships - is used
as a way of insisting that a desire to fight, and to watch men fighting,
is simply a part of our human nature. This book traces a cultural
interest in stories about gladiators through twentieth and
twenty-first-century film, television and videogames.