This alternative study of archive and photography brings many types of
image assemblages into view, always in relation to the regulated systems
operating within the institutional milieu. The archive catalogue is
presented as a critical tool for mapping image time, and the language of
image description is seen as having a life, a worth and an aesthetic
value of its own. Functioning at the intersection of text and image, the
book combines media culture, archival techniques, and contemporary
discourse on art and conceptual writing.