Bridges the gap between the history and theory of twentieth-century
architecture and cultural theories of modernity.
In this exploration of the relationship between modernity, dwelling, and
architecture, Hilde Heynen attempts to bridge the gap between the
discourse of the modern movement and cultural theories of modernity. On
one hand, she discusses architecture from the perspective of critical
theory, and on the other, she modifies positions within critical theory
by linking them with architecture. She assesses architecture as a
cultural field that structures daily life and that embodies major
contradictions inherent in modernity, arguing that architecture
nonetheless has a certain capacity to adopt a critical stance vis-à-vis
modernity.
Besides presenting a theoretical discussion of the relation between
architecture, modernity, and dwelling, the book provides architectural
students with an introduction to the discourse of critical theory. The
subchapters on Walter Benjamin, Ernst Bloch, Theodor Adorno, and the
Venice School (Tafuri, Dal Co, Cacciari) can be studied independently
for this purpose.