Previous research on Joseph Urban (1872-1933) has focused on his
architectural career; yet after moving from Vienna to the U.S. in 1912,
he devoted much of his energies to the stage, especially productions for
the Metropolitan Opera and the Ziegfeld Follies. A seminal figure in the
history of American theater, he introduced to the U.S. the
sophistication of European developments in stage design, experiments
with lighting, and painterly effects which paralleled developments in
modernist literature, painting, and dance.
Architect of Dreams documents more than 100 finely rendered watercolors,
photographs, and three-dimensional stage models. Arnold Aronson
(professor of theatre arts at Columbia University) contributes a major
essay. In other essays, Derek E. Ostergard contextualizes Urban's
architecture, and Matthew Wilson Smith examines Urban's work in film.