Archipelago is a pilgrimage into the origins of language, a single
poem at once descent and flight, where words are wings or gates: organs,
entrances, questioned so as to be permitted by hidden meanings into
hidden lands. Drawing from the collagist's art of Robert Duncan and the
composition by field of Charles Olson, Alana Siegel approaches the poem
as world-making, weaving and challenging the discourses of philosophy,
history, science, and religion-with poetry as primary. Through the
material of dreams, etymologies, immediacies of the phenomenal-works of
artists, poets, mystics, past and present-Siegel recovers lost knowledge
so as to re-hear the poem-as-epic not in length but feeling: a cry from
beyond and inside the heart of time.