Long before virtual reality captured the imagination, holography
provided artists with a new, challenging, three-dimensional medium. Its
very immateriality demanded that artists approach its illusions in
unforeseen and inventive ways.
Apparition provides the first detailed study of holographic art in
Australia, of the artists producing it and the scientific institutions
assisting them. It includes examinations of the work of Paula Dawson,
Alexander, and Margaret Benyon and of the institutional collaborations
developed by artists such as George Gittoes and David Warren. The book
also provides an important historical survey of this advanced-technology
art and canvasses the theoretical, perceptual and philosophical issues
posed by the hyperreality of the holographic medium.