A collective of artists, a gallery and a movement, APTART was a series
of self-organized "anti-shows" that took place in a private apartment
and outdoor spaces in Moscow between 1982 and 1984. These covert and
anarchic actions, which soon came into conflict with the Soviet
authorities, represented a collective attempt to rethink the politics of
exhibition-making and the making of a public in the absence of a public
sphere.
The first comprehensive publication on APTART, this book presents
extensive photographic documentation of all their activities alongside
archival texts from contributing artists and documents from the time.
Main essays by Margarita Tupitsyn and Victor Tupitsyn offer a detailed
elucidation of the movement's history and guiding concepts; and further
analysis is provided by contributions from Alexandra Danilova and Elena
Kuprina-Lyakhovich, Maja and Reuben Fowkes, Richard Goldstein, Sven
Gundlakh, Ilya Kabakov, David Morris and Valerie Smith.