Ralph Ellison famously characterized ensemble jazz improvisation as
"antagonistic cooperation." Both collaborative and competitive,
musicians play with and against one another to create art and community.
In Antagonistic Cooperation, Robert G. O'Meally shows how this idea
runs throughout twentieth-century African American culture to provide a
new history of Black creativity and aesthetics.
From the collages of Romare Bearden and paintings of Jean-Michel
Basquiat to the fiction of Ralph Ellison and Toni Morrison to the music
of Louis Armstrong and Duke Ellington, O'Meally explores how the worlds
of African American jazz, art, and literature have informed one another.
He argues that these artists drew on the improvisatory nature of jazz
and the techniques of collage not as a way to depict a fractured or
broken sense of Blackness but rather to see the Black self as
beautifully layered and complex. They developed a shared set of methods
and motives driven by the belief that art must involve a sense of
community. O'Meally's readings of these artists and their work emphasize
how they have not only contributed to understanding of Black history and
culture but also provided hope for fulfilling the broken promises of
American democracy.