Lyrical, aphoristic poems that move between forms and consider tropes
of narrative.
The narrator of Anon opens the sluice gates of embittered confession
and philosophical reproach to release a flood of extravagant lyricism.
These poems at first submerge readers in the ecstatic rhythms of its
music, then they turn to address the tropes of narrative, inviting
readers to join in pursuit of major themes of the human condition.
Steven Seidenberg employs a characteristically aphoristic style to
manage multiple lines of inquiry at once. The resultant fragments
navigate between testament and treatise, storyline and system, and in a
manner that echoes the speculative vehemence of Samuel Beckett, Clarice
Lispector, and Maurice Blanchot