The first monograph on the Norwegian sisters practicing "woodcut as
cultural critique"
Since the mid-1990s, Norwegian sisters Annette (born 1964) and Caroline
Kierulf (born 1968) have practiced what they refer to as "woodcut as
cultural critique" in the form of colorfully printed woodcut surfaces.
Drawing on the medium's rich history as a means of communication and
protest, the sisters strive to revive woodcut as a discursive tool. With
subtle humor, they maximize the visual reductiveness of the low-tech
medium to critically reflect on the various changes shaping our
high-tech societies. As they source self-carved and meticulously puzzled
large woodcut formats, their works are printed in very limited
editions.
Embedded with references from pop culture and folk art, Caroline
Kierulf's work explores the often overlooked aspects of everyday life;
Annette Kierulf, alternatively, focuses on a feminist reinterpretation
of the landscape genre. This publication provides insights into their
individual working methods and their collaborative project.