Ann-Marie James' intricate paintings are built up through layer upon
layer of not only materials but also techniques. She often starts with a
drawing of a limb or limbs borrowed from art history, a leg purloined
from a Bernini sculpture or a chubby arm of one of Peter Paul Rubens'
putti. From the drawing comes a silkscreen and then, at various points,
she adds layers of thick medium, expressionistic splashes of acrylic and
blobs of ink. Throughout she highlights different moments with delicate
and precise drawing around a spot of paint or a stenciled limb. Stepping
back from the process and the detail, the overall compositions take on
an intense wave of dark, kinetic energy. Published on the occasion of
her exhibition Ann-Marie James: Proserpina at Karsten Schubert, London
(6 March - 5 April 2013), this book features seven paintings alongside a
text by Michael Bracewell.