Confronting shifts in the status and aesthetics of the real, Nea Ehrlich
analyses how contemporary technoculture has transformed the relationship
of animation to documentary by mapping out two parallel trends: the
increased use of animation within documentary or non-fiction contexts,
and the increasingly pervasive use of non-photorealistic animation
within digital media. As the virtual becomes another aspect of our
contemporary mixed reality (physical and virtual), the book aims to
understand how this visual paradigm shift influences viewers, both
ethically and politically, and questions the wider ramifications of this
transformation in non-fiction aesthetics.