The masters of Russian arts and letters are a prestigious fraternity
that includes such renowned artists as Tolstoy, Rachmaninoff, and
Shostakovich. But alongside these luminaries stands a lesser-known but
equally revered figure, filmmaker Andrei Tarkovsky. Robert Bird offers
in Andrei Tarkovsky an unprecedented investigation of Tarkovsky's
oeuvre and its far-reaching influence on world cinema.
Bird brings a novel approach to his dissection of Tarkovsky's wholly
original techniques and sensibilities, arranging the films into
elemental categories of Water, Fire, Earth, and Air. Solaris, Ivan's
Childhood, Mirror, Nostalgia, Andrei Rublev, and Sacrifice all
get their due here; through them, Bird explores how the filmmaker probed
the elusive correlation between cinematic representation and a more
primeval perception of the world. Though the book also considers
Tarkovsky's work in radio, theatre, and opera--as well as his work as an
actor, screenwriter, and film theorist--Bird throughout keeps his focus
firmly on Tarkovsky as a consummate filmmaker. Anchored by a wealth of
film stills and photographs, Andrei Tarkovsky is a must-read for all
film buffs and admirers of European cinema.