Critically examines influential novels in English by eminent black
female writers
Studying these writers' key engagements with nationalism, race and
gender during apartheid and the transition to democracy, Barbara Boswell
traces the ways in which black women's fiction criticality interrogates
narrow ideas of nationalism. She examines who is included and excluded,
while producing alternative visions for a more just South African
society.
This is an erudite analysis of ten well-known South African writers,
spanning the apartheid and post-apartheid era: Miriam Tlali, Lauretta
Ngcobo, Farida Karodia, Agnes Sam, Sindiwe Magona, Zoë Wicomb, Rayda
Jacobs, Yvette Christiansë, Kagiso Lesego Molope, and Zukiswa Wanner.
Boswell argues that black women's fiction could and should be read as a
subversive site of knowledge production in a setting, which, for
centuries, denied black women's voices and intellects.
Reading their fiction as theory, for the first time these writers' works
are placed in sustained conversation with each other, producing an arc
of feminist criticism that speaks forcefully back to the abuse of a
racist, white-dominated, patriarchal power.