Ancient Greece has inspired television producers and captivated viewing
audiences in the United Kingdom for over half a century. By examining
how and why political, social and cultural narratives of Greece have
been constructed through television's distinctive audiovisual languages,
and in relation also to its influential sister-medium radio, this volume
explores the nature and function of these public engagements with the
written and material remains of the Hellenic past.
Through 10 case studies drawn from feature programmes, educational
broadcasts, children's animation, theatre play productions, dramatic
fiction and documentaries broadcast across the decades, this collection
offers wide-ranging insights into the significance of ancient Greece on
British television.
Key features and benefits
-
First multi-authored collection of essays on the topic of ancient
Greece on television
-
Brings experts from the disciplines of Classics and Media Studies
together to offer rigorous examples of how to apply the methodologies
of Media Studies to Classical Reception
-
Explores the representation of Ancient Greece across a range of forms,
including documentary, television drama, radio, theatre plays,
educational television and children's animation
-
Examines the use of mass media forms in formal and informal teaching
and learning contexts, and evaluates the role of the academic in
broadcasting
-
Investigates institutional production contexts, developing
technologies, the use of space and location, style and aesthetics,
costume and staging, globalization and localization and audiences
-
Includes an interview with ancient historian Michael Scott and
producer-director David Wilson to reflecting particularly on concept
to reality
-
Discusses content broadcast on the BBC, ITV and Channel 4
-
Contributors include Anna Foka, Lynn Fotheringham, Peter Golphin, Tony
Keen, Sarah Miles, Amanda Potter and John Wyver
