What are the ethical responsibilities of the historian in an age of mass
murder and hyperreality? Can one be postmodern and still write history?
For whom should history be written?
Edith Wyschogrod animates such questions through the passionate figure
of the heterological historian. Realizing the philosophical
impossibility of ever recovering what really happened, this historian
nevertheless acknowledges a moral imperative to speak for those who have
been rendered voiceless, to give countenance to those who have become
faceless, and hope to the desolate. Wyschogrod also weighs the impact of
modern archival methods, such as photographs, film, and the Internet,
which bring with them new constraints on the writing of history and
which mandate a new vision of community. Drawing on the works of
continental philosophers, historiographers, cognitive scientists, and
filmmakers, Wyschogrod creates a powerful new framework for the
understanding of history and the ethical duties of the historian.