Francis Fukuyama's controversial 1992 book The End of History and the
Last Man demonstrates an important aspect of creative thinking: the
ability to generate hypotheses and create novel explanations for
evidence.
In the case of Fukuyama's work, the central hypothesis and explanation
he put forward were not, in fact, new, but they were novel in the
academic and historical context of the time. Fukuyama's central argument
was that the end of the Cold War was a symptom of, and a vital waypoint
in, a teleological progression of history.
Interpreting history as "teleological" is to say that it is headed
towards a final state, or end point: a state in which matters will reach
an equilibrium in which things are as good as they can get. For
Fukuyama, this would mean the end of "mankind's ideological evolution
and the universalization of Western liberal democracy as the final form
of human government". This grand theory, which sought to explain the end
of the Cold War through a single overarching hypothesis, made the novel
step of resurrecting the German philosopher G.W.F. Hegel's theory of
history - which had long been ignored by practical historians and
political philosophers - and applying it to current events.