Amulet is a monologue, like Bolano's acclaimed debut in English, By
Night in Chile. The speaker is Auxilio Lacouture, a Uruguayan woman who
moved to Mexico in the 1960s, becoming the Mother of Mexican Poetry,
hanging out with the young poets in the cafés and bars of the
University. She's tall, thin, and blonde, and her favorite young poet in
the 1970s is none other than Arturo Belano (Bolano's fictional stand-in
throughout his books).
As well as her young poets, Auxilio recalls three remarkable women: the
melancholic young philosopher Elena, the exiled Catalan painter Remedios
Varo, and Lilian Serpas, a poet who once slept with Che Guevara. And in
the course of her imaginary visit to the house of Remedios Varo, Auxilio
sees an uncanny landscape, a kind of chasm. This chasm reappears in a
vision at the end of the book: an army of children is marching toward
it, singing as they go. The children are the idealistic young Latin
Americans who came to maturity in the '70s, and the last words of the
novel are: And that song is our amulet.