This is Whitney Balliett's long-awaited "big book." In it are all the
jazz profiles he has written for The New Yorker during the past 24
years. These include his famous early portraits of Pee Wee Russell, Red
Allen, Earl Hines, and Mary Lou Williams, done when these giants were in
full flower; his recent reconstructions of the lives of such legends as
Art Tatum, Coleman Hawkins, Jack Teagarden, Zoot Sims, and Dave Tough;
His quick but indelible glimpses into the daily (or nocturnal) lives of
Duke Ellington and Charles Mingus; and his vivid pictures of such
on-the-scene masters as Red Norvo, Ornette Coleman, Buddy Rich, Elvin
Jones, Art Farmer, Michael Moore, and Tommy Flanagan. Also included are
such lesser known but invaluable players as Art Hodes, Jabbo Smith, Joe
Wilder, Warne Marsh, Gene Bertoncini, Joe Bushkin, and Marie Marcus.
All these profiles make the reader feel, as one observer has pointed
out, that he is "sitting with Balliett and his subject and listening
in." Th