From the end of the nineteenth century a national musical consciousness
gradually emerged in the United States as composers began to turn away
from the European conventions on which their music had been modeled. It
was in this period of change that experimentalism was born and America
subsequently became, as it still is, a major source of new musical ideas
for European musicians. David Nicholls considers the most influential
figures in the development of American experimentalism, including
Charles Ives, Charles Seeger, Ruth Crawford, Henry Cowell and the young
John Cage. He analyzes the music and ideas of this group, explaining the
compositional techniques invented and employed by them and the
historical and cultural context in which they emerged. The book is thus
an important contribution toward our understanding of some of the most
challenging music of the twentieth century.