In this book, Susan Harris Smith looks at the many often conflicting
cultural and academic reasons for the neglect and dismissal of American
drama as a legitimate literary form. Covering a wide range of topics
such as theatrical performance, the rise of nationalist feeling, the
creation of academic disciplines, and the development of sociology,
Smith's study is a contentious and revisionist historical inquiry into
the troubled cultural and canonical status of American drama, both as a
literary genre and as a mirror of American society.