Since its publication, Emily Brontë's Wuthering Heights has given rise
to an unusual plurality of interpretations, leading to the impression
that the novel somehow resists interpretation. The author offers a new
reading of the novel that takes this effect into account by
investigating its reason: ambiguity is a thematic focal point and
structural key element of the novel.
This study is concerned with the ambiguity of Wuthering Heights which
arises through a complex interplay of distinct but interdependent
ambiguities of perception, narration, and the narrated world. In
particular, it shows how specific ambiguous utterances (e.g. a clash of
implicatures and presuppositions) are linked with each other and
contribute to the global ambiguity of the text. In this way, not only
the function of ambiguity for understanding Wuthering Heights is
explored but also the function of Wuthering Heights for understanding
ambiguity. The book should thus be of interest not only to Brontë
scholars and Victorianists but also to literary scholars and linguists
in general.