This book defends an account of ambiguity which illuminates the
aesthetic possibilities of film and the nature of film criticism.
Ambiguity typically describes the condition of multiple meanings. But we
can find multiple meanings in what appears unambiguous to us. So, what
makes ambiguity ambiguous? This study argues that a sense of uncertainty
is vital to the concept. Ambiguity is what presses us to inquire into
our puzzlement over a movie, to persistently ask "why is it as it is?"
Notably, this account of the concept is also an account of its
criticism. It recognises that a satisfying assessment of what is
ambiguous involves both our reason and doubt; that is, reason and doubt
can work together in our practice of reading. This book, then, considers
ambiguity as a form of reasonable doubt, one that invites us to reflect
on our critical efforts, rethinking the operation of film criticism.