Alan J. Pakula's political thriller All the President's Men (1976) was
met with immediate critical and commercial success upon its release,
finishing second at the box office and earning seven Academy Award
nominations.
Through a close reading of key scenes, performances and stylistic
decisions, Christian Keathley and Robert B. Ray show how the film
derives its narrative power through a series of controlled oppositions:
silence vs. noise; stationary vs. moving camera; dark vs. well-lit
scenes and shallow vs. deep focus, tracing how these elements combine to
create an underlying formal design crucial to the film's achievement.
They argue that the film does not fit the auteurist model of New
Hollywood film-makers such as Coppola and Scorsese. Instead, All the
President's Men more closely resembles a studio-era film, the result of
a collaboration between a producer (Robert Redford), multiple
scriptwriters, a skilful director, important stars (Robert Redford and
Dustin Hoffman), a distinctive cameraman (Gordon Willis), an imaginative
art director (George Jenkins) and ingenious sound designers, who
together created an enduringly great film.